Coastal Wall Art Prints Beaches, harbors, bays and lighthouses in 19th-century paintings and watercolors. Each print is made to order from a museum’s public-domain image.

<h1>Coastal Wall Art Prints</h1>
<p>Beaches, harbors, bays and lighthouses in 19th-century paintings and watercolors. Each print is made to order from a museum’s public-domain image.</p>

A low wave breaks across the foreground of a wide bay, its white foam running between two brown rocks onto a strip of beach. Beyond, a small sailboat with two white sails sits on smooth green water, with more sails, a small island and low hills along the horizon. Dark rocky headlands close the view at both ends, under a broad sky of warm yellow and peach with a bank of white cloud and a few birds. Martin Johnson Heade (American, 1819–1904) painted this oil on canvas in 1864 and signed and dated it M. J. Heade / 1864 at the lower left. It is held by the National Gallery of Art, Washington. Lab-printed to order on luster photo paper, in a long, wide 1:2 format: 8×16, 10×20, 12×24 and 40×80 inches. Its long, low shape suits the wall above a sofa, a sideboard or a bed.

Rio de Janeiro Bay by Martin Johnson Heade

Two women stand together on a sandy path above a quiet bay, seen from behind and the side. One wears a blue dress and red headscarf and carries a basket on her arm; the other, in a pale dress, balances a white bundle on her head with one raised hand. A hazy brown headland runs along the left, small figures wade at the water's edge in the distance, and the sky fades from pale yellow to cream. Camille Pissarro (French, born St. Thomas, Virgin Islands, 1830–1903) painted this oil on canvas in 1856 and signed it at the lower left C.Pizarro . Paris 1856. The National Gallery of Art, Washington, which holds it, titles it Two Women Chatting by the Sea, St. Thomas. Lab-printed to order on luster photo paper, in a wide 2:3 format: 8×12, 12×18, 16×24, 20×30, 24×36 and 40×60 inches. Its wide, warm view suits the wall above a sofa, a console or a bed.

Two Women Chatting by the Sea by Camille Pissarro

Two white, square-roofed houses stand at the edge of a still bay, their walls reflected in long pale streaks on the blue water. A pinkish path curves along the shore at the lower right under a dark, leafy tree with red flowers, and low boats and a distant shoreline sit at the left. Above, a deep blue-gray sky holds large white and pink clouds, painted in broad, wet washes with patches of bare paper. Winslow Homer (American, 1836–1910) painted this watercolor over graphite on wove paper in 1899. It is signed HOMER at the lower left and inscribed Salt Kettle / Dec 1899 at the lower right. It is in the collection of the National Gallery of Art, Washington. Lab-printed to order on luster photo paper, in a wide 2:3 format: 8×12, 12×18, 16×24, 20×30, 24×36 and 40×60 inches. Its wide shape and cool blues suit the wall above a sofa, a bed or a sideboard.

Salt Kettle, Bermuda by Winslow Homer

Two dark fishing boats lie on a wide, flat beach at low tide, with small figures working on the sand between them. Behind, more boats with brown, red and pale yellow sails stand along a strip of green sea. More than half the picture is sky, filled with gray and white clouds against blue, all painted in loose, quick strokes, and the signature and date appear at the lower right. Eugène Boudin (1824–1898), the French painter, made this oil on canvas in 1875. It is inscribed at the lower right 'Schevingue / E. Boudin 75'. The painting is in the collection of the National Gallery of Art, Washington. Lab-printed to order on luster photo paper, in a wide 2:3 format: 8×12, 12×18, 16×24, 20×30, 24×36 and 40×60 inches. Its long, low shape suits the wall above a sofa, a sideboard or a bed.

Low Tide at Scheveningen by Eugène Boudin

A tall pale stone lighthouse stands at the end of a stretch of sandy shore, with a long jetty running out to the left and a small sailing boat on the water beyond. At the right, a rowing boat rests on a wooden trestle in front of a large building with many windows and a smaller red-roofed shed. The whole surface is made of small separate dots of color, mostly cream, blue and green, and the signature sits faintly at the lower left. Georges Seurat (1859–1891), the French painter, made this oil on canvas in 1886 and signed it 'Seurat' at the lower left. The painting is in the collection of the National Gallery of Art, Washington. Lab-printed to order on luster photo paper, in a 4:5 format: 8×10, 16×20, 24×30 and 40×50 inches. A pale, quiet coastal view for a bedroom, a bathroom or a hallway.

Coastal Wall Art Prints

Rio de Janeiro Bay by Martin Johnson Heade

Two Women Chatting by the Sea by Camille Pissarro

Salt Kettle, Bermuda by Winslow Homer

Low Tide at Scheveningen by Eugène Boudin

The Lighthouse at Honfleur by Georges Seurat

Coastal Wall Art Prints