Name: Allegory of the folly and drunkenness Two figures in a circle by D. Ste Taborotius
Brand: Wall Art
SKU: w8884061N
Price: 29.00 USD
Availability: InStock

Wall Art Magic and Occult Prints In the world of wall art, there exists a mystical realm where the strange and the arcane converge. The "Magic and Occults" collection is an intriguing array of prints that delve into the mysterious, the symbolic, and the surreal. Artists like Jacob Gole, with his eerie depiction in "The Smell," and Francisco Goya, with his enigmatic "A Way of Flying," take us into a world where alchemy, sorcery, and secret knowledge intertwine. These prints offer a portal to the unknown, where magic and reality blur into one. Renowned Esoteric Artists The collection features the works of artists who have ventured into the esoteric and occult. The timeless mastery of Rembrandt shines through in "Faust," a haunting portrayal of a man deep in an alchemical exchange. Jan van de Velde's "The Sorceress" reveals the darker side of magic, while the mysterious "Two Men and a Ghost in a Workshop" by Johannes Josephus Aarts adds an unsettling element of the supernatural. These artists use their brush and ink to evoke the spirits and forces that exist beyond the ordinary. Composition, Themes, and Ideas Incorporated in Magic Wall Art Prints The recurring themes in these prints center on the unseen forces that govern the world—magic, alchemy, and the supernatural. The geometry of Cornelis Cort’s "Geometria" embodies the mysticism of mathematics, while Adriaen Collaert’s allegorical depictions, such as "Allegory of Africa," weave together nature, myth, and the spiritual. Each composition serves as a narrative of the strange, where boundaries of reality are pushed, and hidden truths are uncovered. The balance of light and dark in these prints mirrors the duality of existence itself. Time Periods, Historical and Cultural Significance of Magic in Wall Art Prints Many of these wall art prints draw inspiration from times when magic and the occult were not merely fantasy but deeply embedded in cultural beliefs. Goya’s "A Way of Flying" reflects the Enlightenment era’s fascination with the supernatural, while Rembrandt’s "Faust" taps into the Renaissance’s obsession with alchemy and secret knowledge. The 16th and 17th centuries, especially, saw a rise in esoteric arts as society sought to reconcile the known and the unknown. Each print is a testament to the enduring allure of these hidden forces. Painting, Sketching, Drawing, Printing Techniques, and Use of Color in Magic Wall Art Prints The techniques employed by the artists in this collection vary, from the dark, shadowy strokes of Goya’s etchings to the intricate detailing in Adriaen Collaert’s allegories. The use of chiaroscuro in works like "The Sorceress" creates an atmosphere where light and shadow engage in a delicate dance, heightening the sense of mystery. Francisco Goya's "A Way of Flying" employs soft, surreal hues to evoke otherworldly dreams. These techniques work in harmony to pull the viewer deeper into the mystical worlds these prints depict.

<h1>Wall Art Magic and Occult Prints</h1> <p> In the world of <a href="/">wall art</a>, there exists a mystical realm where the strange and the arcane converge. The "Magic and Occults" collection is an intriguing array of prints that delve into the mysterious, the symbolic, and the surreal. Artists like Jacob Gole, with his eerie depiction in "The Smell," and Francisco Goya, with his enigmatic "A Way of Flying," take us into a world where alchemy, sorcery, and secret knowledge intertwine. These prints offer a portal to the unknown, where magic and reality blur into one. </p> <h2>Renowned Esoteric Artists</h2> <p> The collection features the works of artists who have ventured into the esoteric and occult. The timeless mastery of Rembrandt shines through in "Faust," a haunting portrayal of a man deep in an alchemical exchange. Jan van de Velde's "The Sorceress" reveals the darker side of magic, while the mysterious "Two Men and a Ghost in a Workshop" by Johannes Josephus Aarts adds an unsettling element of the supernatural. These artists use their brush and ink to evoke the spirits and forces that exist beyond the ordinary. </p> <h3>Composition, Themes, and Ideas Incorporated in Magic Wall Art Prints</h3> <p> The recurring themes in these prints center on the unseen forces that govern the world—magic, alchemy, and the supernatural. The geometry of Cornelis Cort’s "Geometria" embodies the mysticism of mathematics, while Adriaen Collaert’s allegorical depictions, such as "Allegory of Africa," weave together nature, myth, and the spiritual. Each composition serves as a narrative of the strange, where boundaries of reality are pushed, and hidden truths are uncovered. The balance of light and dark in these prints mirrors the duality of existence itself. </p> <h4>Time Periods, Historical and Cultural Significance of Magic in Wall Art Prints</h4> <p> Many of these <a href="/prints">wall art prints</a> draw inspiration from times when magic and the occult were not merely fantasy but deeply embedded in cultural beliefs. Goya’s "A Way of Flying" reflects the Enlightenment era’s fascination with the supernatural, while Rembrandt’s "Faust" taps into the Renaissance’s obsession with alchemy and secret knowledge. The 16th and 17th centuries, especially, saw a rise in esoteric arts as society sought to reconcile the known and the unknown. Each print is a testament to the enduring allure of these hidden forces. </p> <h5>Painting, Sketching, Drawing, Printing Techniques, and Use of Color in Magic Wall Art Prints</h5> <p> The techniques employed by the artists in this collection vary, from the dark, shadowy strokes of Goya’s etchings to the intricate detailing in Adriaen Collaert’s allegories. The use of chiaroscuro in works like "The Sorceress" creates an atmosphere where light and shadow engage in a delicate dance, heightening the sense of mystery. Francisco Goya's "A Way of Flying" employs soft, surreal hues to evoke otherworldly dreams. These techniques work in harmony to pull the viewer deeper into the mystical worlds these prints depict. </p>

The Smell – Pipe Smoking Man by Jacob Gole is a captivating study of everyday life in 17th-century Europe, focusing on a man deeply engrossed in the simple pleasure of smoking a pipe. Gole masterfully captures the calm, almost meditative mood of the figure, with his relaxed posture and content expression. The curling wisps of smoke from the pipe add movement to the otherwise tranquil scene, creating a vivid sensory experience for the viewer. This print subtly explores the theme of “smell” through the representation of tobacco smoke, offering a moment of quiet reflection on sensory pleasures. This print brings the charm and simplicity of this genre painting into your home, making it a perfect piece for art lovers who appreciate intimate glimpses of daily life. Printed on high-quality Lustre surface paper, this reproduction highlights the fine details and soft textures of the original work. The rich, earthy tones and delicate rendering of the smoke create a sense of warmth and comfort, making the piece feel inviting and timeless. Add this classic wall art to your space, where it will evoke the quiet joys of life’s simple pleasures and serve as a calming presence. Ideal for dens, studies, or living rooms, this print adds a touch of rustic charm to any decor.

The Smell - Pipe Smoking man by Jacob Gole

The Cult of Ceres by Jan Saenredam is a beautifully detailed engraving that celebrates Ceres, the Roman goddess of agriculture and fertility. Surrounded by bountiful crops and symbols of the harvest, Ceres is depicted as a serene and powerful figure, embodying the life-giving force of nature. Saenredam’s intricate line work brings the scene to life, with finely detailed foliage and carefully composed figures that reflect the artist’s mastery of classical themes. The engraving is both a tribute to the natural world and a reminder of the importance of agriculture in sustaining human life. This print brings the grace and elegance of classical mythology into your home, perfect for those who appreciate art steeped in history and symbolism. Printed on premium Lustre surface paper, this reproduction captures the fine lines and textures of Saenredam’s engraving with stunning clarity. The balance between light and shadow adds depth to the scene, enhancing the regal presence of Ceres. Bring this timeless wall art into your space, where it will inspire reflection on the connection between humanity and nature. Whether displayed in a dining room, library, or study, this piece adds a touch of classical sophistication to any room.

Cult of Ceres by Jan Saenredam

A great eagle sweeps across the sky with a boy held against its chest, its wings spread wide. The boy, Ganymede, twists in the eagle's grip, a long cloth streaming loose around him, and rays of light fall from above. The figures are drawn in fine, close lines on warm paper, with the eagle's feathers and the folds of the cloth given equal care. In Greek myth, Zeus took the form of an eagle and carried the young Ganymede up to Olympus to be cupbearer to the gods. Nicolas Mignard was a seventeenth-century French painter, the elder brother of the painter Pierre Mignard. Lab-printed to order on luster photo paper in the 2:3 format: 8×12, 12×18, 16×24, 20×30, 24×36 and 40×60 inches. The wide composition suits a living room or a study.

Abduction of Ganymede by Nicolas Mignard

Geometria – Meetkunde by Cornelis Cort is a stunning Renaissance engraving that personifies geometry, one of the essential liberal arts, through a carefully composed figure deeply engrossed in her work. Surrounding her are mathematical tools and geometric diagrams, symbolizing the discipline’s order, precision, and intellectual rigor. Cort’s meticulous line work and attention to detail elevate the engraving into a celebration of knowledge and learning. The figure’s calm focus embodies the rationality and beauty of mathematical thought. This print brings the elegance of Renaissance intellectualism into your home, making it an ideal piece for those who appreciate art with a scholarly or philosophical theme. Printed on premium Lustre surface paper, this reproduction preserves the intricate lines and delicate shading of the original engraving, capturing every detail with precision. The balance between the figure and the geometric symbols creates a sense of harmony and intellectual beauty. Transform your space with this inspiring wall art, perfect for studies, offices, or libraries, where it will serve as a tribute to the pursuit of knowledge and understanding. This print offers both visual and intellectual enrichment, making it a timeless addition to your decor.

Geometry (Geometria) by Cornelis Cort

Adriaen Collaert’s Allegory of Africa is part of his series depicting the four continents, each personified through symbolic imagery. In this artwork, Africa is represented as a regal figure surrounded by animals and plants native to the continent, highlighting its rich natural resources and exotic beauty. Collaert’s detailed engraving style brings the allegorical figure to life, with every element of the composition contributing to a deeper understanding of Africa’s cultural and natural wealth. The work reflects both the Renaissance fascination with exploration and the European idealization of distant lands. This print brings the beauty and complexity of this historical depiction into your home, offering a thoughtful representation of Africa’s influence in global culture. Printed on high-quality Lustre surface paper, this reproduction captures the fine details and textures of Collaert’s original engraving, preserving the clarity and depth of the composition. The exotic animals and plants are rendered with precision, adding a sense of realism to the allegorical scene. Add this evocative wall art to your space, perfect for those who appreciate historical artwork with a global perspective. The print’s rich symbolism and intricate design make it a compelling addition to any room, inspiring curiosity and appreciation for world history.

Allegory of Africa - The Four Continents by Adriaen Collaert

The Allegory of America by Adriaen Collaert is a powerful engraving that personifies the continent through a figure adorned with symbols of the New World. Surrounding the central figure are native plants, animals, and cultural objects that reflect the European fascination with the newly discovered Americas during the Renaissance. Collaert’s attention to detail and use of allegory serve to elevate the artwork beyond mere representation, creating a complex image that speaks to both curiosity and conquest. This print offers a historical snapshot of how America was viewed through the lens of European art and exploration, making it a valuable piece for those interested in the intersection of art and history. Printed on Lustre surface paper, this reproduction preserves the fine details of Collaert’s engraving, from the intricate line work of the figure to the richly detailed flora and fauna. The composition’s balance of realism and symbolism creates a striking visual narrative. Bring this historic wall art into your home, where it will inspire reflection on the history of exploration and the cultural exchange between continents. This print adds depth and sophistication to any room, offering both visual beauty and intellectual engagement.

Allegory of America - The Four Continents by Adriaen Collaert

Hoopoe and Owl by Adriaen Collaert is a finely detailed engraving that highlights the beauty and symbolism of two striking birds. The hoopoe, known for its distinctive crest, and the owl, often associated with wisdom, are depicted in a naturalistic style that emphasizes their unique characteristics. Collaert’s skill in rendering the intricate details of feathers and anatomy brings the birds to life, making them appear almost real. The juxtaposition of these two creatures, one associated with day and the other with night, adds a layer of meaning to the piece, symbolizing the balance of opposites. This print offers a beautiful and thoughtful depiction of these iconic birds, perfect for nature and art lovers alike. Printed on high-quality Lustre surface paper, this reproduction preserves the delicate lines and fine textures of Collaert’s original engraving, capturing the lifelike quality of the birds. The contrast between the light and dark feathers of the hoopoe and owl adds visual depth, making the scene feel vibrant and dynamic. Add this elegant wall art to your space, where it will serve as a tribute to the beauty of nature and the symbolic meanings of animals. Whether displayed in a living room, study, or gallery, this print brings a touch of nature’s elegance to any decor.

Hoopoe and Owl by Adriaen Collaert

A tall pedlar stands in a town street, covered from hat to waist in spectacles: they hang from his hat, his chest and his belt, and he holds out a tray full of them. At his feet a man lies on the ground holding a pair of glasses up to his eyes, beside a scroll with lettering. Behind them a street runs back between tall buildings, busy with small figures, and birds wheel in the sky. Spectacle sellers were a familiar subject in Netherlandish prints, where glasses could stand for clear sight or for being fooled. The Dutch title, Brillenverkoper, means spectacles seller. Lab-printed to order on luster photo paper in 8×10, 16×20, 24×30 and 40×50 inches. A detailed, slightly comic picture for a study, a hallway or an optician's or reading room.

Spectacles Seller by Nicolaes Jansz Clock

A barn owl wearing round spectacles stands on a pile of books, one foot on an open page. Next to it a candle burns in a holder, and a scrap of paper lies across the books. The feathers, the books and the cloth on the table are all drawn in close, careful engraved lines. Under the picture, a Dutch line reads "Wat baet keers off bril, als den Uyl niet sien en wil", roughly: what use are candle or glasses, if the owl does not want to see. The plate is inscribed "H. Bloemaert pinx." and "C. Bloemaert sculp.": a design by Hendrick Bloemaert, engraved by Cornelis Bloemaert. Both were sons of the Utrecht painter Abraham Bloemaert. Lab-printed to order on luster photo paper in 8×10, 16×20, 24×30 and 40×50 inches. A witty picture for a study, a library or a reading corner.

An Owl with Books by Cornelis Bloemaert

Anonymous, Italian, 16th to early 17th century ItalianInspired by Giuseppe Arcimboldo

Autumn and Winter - Two heads made from flora typical of those seasons

Two heads in profile face each other, each made entirely of plants. The one on the left, Spring, is a crowd of flowers and young leaves, with blossoms for the face and a mass of buds for hair. The one on the right, Summer, is built from fruit, grain and full-grown greenery, with a rounded fruit for a cheek and a cloth-wrapped body. Seen from a distance they read as faces; close up they break into separate flowers and fruit. The idea of building heads from the things of a season is best known from the paintings of Giuseppe Arcimboldo. Lab-printed to order on luster photo paper in the 2:3 format: 8×12, 12×18, 16×24, 20×30, 24×36 and 40×60 inches. A playful picture for a kitchen, a dining room or a hallway, and a natural pair with Autumn and Winter.

Spring and Summer - Two heads made from flora typical of those seasons

Two figures tumble together inside a round medallion, one turned head over heels with his legs in the air, the other leaning in to grab him. A tree spreads behind them, and the ground beneath them is rough and uneven. A broad border runs around the circle, filled with lettering, and the whole medallion sits small and neat in the middle of a pale sheet. The drawing is fine and detailed, so the scene repays a close look. The title presents the two figures as an allegory of folly and drunkenness. Lab-printed to order on luster photo paper in square sizes: 8×8, 10×10, 16×16, 20×20, 36×36 and 40×40 inches. The small round image on a wide margin looks good in a study, a hallway or a bar area, and on a gallery wall.

Allegory of the folly and drunkenness Two figures in a circle by D. Ste Taborotius

A wild old woman flies through a gray sky, her long white hair streaming behind her, her face twisted into a fierce grimace. She clutches a severed, hairy arm in one clawed hand, and her blue patterned robe and loose white garments billow around her. A round red shape rises behind her shoulders. The signature sits in the lower left corner. The scene comes from the Japanese legend of the warrior Watanabe no Tsuna, who cut off a demon's arm. The demon later came back disguised as an old woman to take the arm back. Tsukioka Yoshitoshi (1839–1892) was a Japanese artist of ukiyo-e woodblock prints. Lab-printed to order on luster photo paper in the 2:3 format: 8×12, 12×18, 16×24, 20×30, 24×36 and 40×60 inches. A striking picture for a study, a hallway or a living room with a taste for the dramatic.

The Old Woman Retrieves Her Arm by Yoshitoshi Tsukioka

Against a dark sky, men fly on huge bat-like wings strapped to their bodies. In the center, one large figure grips the frame of his wings, his body hanging below them, while others glide further off, small and pale against the darkness. Nothing on the ground tells you where they are or where they are going. The plain gray border of the paper surrounds the dark plate. Francisco Goya (1746–1828) was a Spanish painter and printmaker. This etching belongs to his late series known as Los Disparates, which was published only after his death; Goya left no explanation of its scenes. Lab-printed to order on luster photo paper in the 2:3 format: 8×12, 12×18, 16×24, 20×30, 24×36 and 40×60 inches. A strange, memorable picture for a study, a hallway or a living room.

A way of flying by Francisco Goya

At the center of a great circle lies the so-called philosophical egg, resting on a horned, dragon-like creature that wears a papal tiara and breathes out flames. Around them run the twelve signs of the zodiac and two rings of letters, the chemical alphabet of the Cabala; round labels in the corners read 'Philosophi', 'Astronomi', 'Alchimi' and 'Virtutes', and a cartouche at the bottom spells 'Cabala'. The engraving is titled Anfang Exaltation (the beginning of the exaltation). It comes from Stephan Michelspacher's Cabala, Spiegel der Kunst und Natur in Alchymia, published in Augsburg in 1615, where it shows a stage in the making of the philosophers' stone; the Rijksmuseum lists Raphael Custos and Stephan Michelspacher as its makers. Lab-printed to order on lustre photo paper, in a 4:5 format: 8×10, 16×20, 24×30 and 40×50 inches. A curious picture for a study, a library or a hallway, alongside other esoteric prints.

Anfang Exaltation by Stephan Michelspacher

A scholar in a white cap and a heavy robe stands at his desk in a dark, crowded study, half turned toward the window. In front of the leaded glass, a disc of light glows in the air, ringed with letters and sending out sharp rays. The scholar leans on the desk and stares at it. Books, papers and a globe crowd the shadows, and the only strong light in the room comes from the apparition. Rembrandt (1606–1669) was a Dutch painter and printmaker. This etching has long been known by the title Faust, although the subject of the scene is still debated. Lab-printed to order on luster photo paper in 8×10, 16×20, 24×30 and 40×50 inches. The deep blacks and single burst of light make it a strong picture for a study, a library or a hallway.

Faust by Rembrandt

In a cluttered workshop, an old man with a long white beard and a fur-trimmed coat sits back in alarm, while a younger man crouches beside him. At the left, a pale ghostly figure with wide, round eyes rises out of the shadows. A stool lies overturned, a book lies open on the floor, and shelves of bottles and tools fill the background. The scene is etched in dense, scratchy lines, with deep shadow everywhere except around the apparition. The picture leaves open whether the two men called up the figure or simply stumbled on it. Johannes Josephus Aarts was a Dutch printmaker. Lab-printed to order on luster photo paper in 8×10, 16×20, 24×30 and 40×50 inches. An eerie, story-like picture for a study, a reading corner or a hallway.

Two Men and a Ghost in a Workshop by Johannes Josephus Aarts

In a dark, night-time landscape, a woman in a pale dress stands beside a fire, one arm raised as she works her spell. Smoke and sparks rise in arcs from the flames, and around her crowd strange creatures: a winged beast, a dragon-like animal and a small dark figure. A skull and bones lie on the ground at the right. Almost the whole sheet is deep black, broken only by the light of the fire and the glow of the sorceress herself. Jan van de Velde was a Dutch printmaker; this night scene is among his best-known prints. Lab-printed to order on luster photo paper in the 2:3 format: 8×12, 12×18, 16×24, 20×30, 24×36 and 40×60 inches. A dramatic picture for a study, a hallway or a living room with dark walls.

The Sorceress by Jan van de Velde

A strange, symmetrical face fills this square print. Its eyes are deep spirals, its nose broad and flat, its mouth open and turned down, and a curly beard hangs below. Around the face, scrolls, leaf shapes and a fan of long, pointed fronds spread out like a ruff, with a scallop shell at the top. Every line is crisp and exact, so the mask looks both carved and alive. Ornamental masks like this were made as model designs for craftsmen. The title names Huys and the year 1555; Frans Huys was a Flemish engraver who worked in Antwerp. Lab-printed to order on luster photo paper in square sizes: 8×8, 10×10, 16×16, 20×20, 36×36 and 40×40 inches. Its graphic symmetry works in a modern living room, a hallway or a set of square frames.

Huys 1555 Decorative Ornamental Mask

A powerful sea creature, a triton, is seen from behind, twisting round to blow into a large spiral shell. His back and arms are heavily muscled, fins rise from his head like wings, and his body ends in a scaly, coiling fish tail. One clawed hand rests on a rock. Waves and a dark sky fill the background, and the whole figure is modelled in swelling engraved lines that make it look almost sculpted. In Greek myth, Triton was a sea god who blew a conch shell to calm or raise the waves. Lab-printed to order on luster photo paper in 8×10, 16×20, 24×30 and 40×50 inches. A bold, dramatic picture for a bathroom, a hallway or a living room with a maritime theme.

Triton Blowing on a Conch by Jacques de Gheyn

Magic and Occult Prints

<p>Two figures tumble together inside a round medallion, one turned head over heels with his legs in the air, the other leaning in to grab him. A tree spreads behind them, and the ground beneath them is rough and uneven. A broad border runs around the circle, filled with lettering, and the whole medallion sits small and neat in the middle of a pale sheet. The drawing is fine and detailed, so the scene repays a close look.</p>
<p>The title presents the two figures as an allegory of folly and drunkenness.</p>
<p>Lab-printed to order on luster photo paper in square sizes: 8×8, 10×10, 16×16, 20×20, 36×36 and 40×40 inches. The small round image on a wide margin looks good in a study, a hallway or a bar area, and on a gallery wall.</p>

Allegory of the folly and drunkenness Two figures in a circle by D. Ste Taborotius, shown framed (frame not included)

Detail of Allegory of the folly and drunkenness Two figures in a circle by D. Ste Taborotius